I’ve been incredibly fortunate to learn directly from some of the most respected figures in our profession and have come to the beliefe that music education far exceeds mere technical skill, evolving from the deliberate mastery of fundamentals into a profound journey of embodied knowledge. As technique becomes second nature, our instrument transforms into a seamless extension of the body and mind, allowing musicians to transcend the page and communicate true artistic mastery with authentic, imaginative expression.
This developmental shift is marked by a deliberate progression that redefines how musicians interact with their craft and this was the begining of my lifelong journey:
Bachelor of Music
Professor: Charles "Chip" Hamann
The Foundation of Competency: Education begins with the acquisition of technical skills—scales, rhythm, and structural theory. These tools establish a cognitive and physical framework that allows the musician to navigate complex physical and mental demands.
Artist Diploma Glenn Gould School
Professor: Richard Dorsey
The Awakening of Musicality: Once the mechanical barriers of playing are overcome, practice ceases to be rigid and becomes an exercise in listening, phrasing, and emotional inflection. This is where the musician learns the nuances of conveying feeling through sound.
Master of Music
Professor(s): Frank Rosenwein & Jeffrey Rathbun
The Culmination of Embodied Knowledge: True mastery occurs when theoretical and technical understanding is physically integrated. The musician no longer "thinks" about the mechanics of playing; instead, they experience the music as an innate, lived response. This shift allows for spontaneous, creative expression.
Emerson famously stated that education is what remains after you have forgotten everything learned in school...
Principal Oboe of Canada's National Arts Centre Orchestra (NACO)
Once teacher and student, now colleagues 💕
Assistant Principal Oboe of The Cleveland Orchestra
Practicing for a special moment ... performing Jeffrey Rathbun's Three Diversions for Two Oboes for the very first time at CIM in a student recital with the composer!